Et tu, Loki?
Thor: The Dark World is another Thor movie, and how much you’re going to like it depends just on how you react to hearing that. I quite liked the first Thor, although the town scenes meandered a bit too much for my liking. Beyond that, it was a fun, standard superhero fanfare that watched and clapped its hands whenever Thor whacked something with his hammer. Thor: The Dark World has all of the elements that made the first Thor successful, just more of it.
After Loki’s (Tom Hiddleston) embarrassing defeat at the hands of the world’s mightiest heroes in The Avengers, Thor (Chris Hemsworth) brings him back to Asgard to stand trial against his father Odin (Anthony Hopkins). While this is going on, the ancient dark elf Malekith (Christopher Eccleston), who has spent centuries trapped in suspended animation, is suddenly set free and assembles his army to reclaim the Aether, a powerful artifact that can eat away and disintegrate entire worlds. Now with the fate of the nine realms in the balance, Thor needs to team up with Sif (Jaimie Alexander), the Warriors Three, and even Loki to defeat Malekith and free the universe from his madness.
Let’s get the obvious out of the way first: Malekith is a terrible villain. Don’t get me wrong, Eccleston is a fantastic actor, and he brings a sense of conviction and ruthlessness to his role unlike anything we’ve seen from him when he played the ninth doctor in BBC’s “Doctor Who” series. But the villain himself is completely flat and uninteresting. He has no personal stake in Thor or anybody else’s story. He’s just a giant, ugly-looking grey Yoda ripoff that has the typical “I WILL DESTROY THE UNIVERSE” shtick. He doesn’t have Obadiah Stane’s deceitful snide, the Red Skull’s malicious presence, or even Loki’s sickly narcissistic charm. No, he’s just your typical big baddie with zero personality or interest, and he inhabits the film like Marvel needed to fit the bill just so they could green light the production. In an age where supervillains have the potential to be the best or most memorable element in a superhero film, Malekith is just flimsy and forgettable. He offers nothing significant to set him apart from the rest of the Marvel crew.
Thankfully, Hiddleston offers more than enough personality and interest as Loki to make up for Malekith’s lackluster inclusion. One of the things about Hiddleston that constantly impresses me is how well he inhabits the cunning and madness of Loki whenever he’s in character. He has a jesting, flamboyant flair to him, yet a sinister undertone that’s always seething beneath like a snake’s venom through his teeth. Unlike Malekith, Loki has a grounded investment in the story, has personal ties and a history with the film’s hero, and plenty of deep layers that reveal themselves the more you pull back on them. There’s an incredibly interesting arc to his character, an almost Shakespearean tragedy that tells of a man infatuated with himself and his riches, but only inflicts himself the further he draws away from his family and friends. The dynamic that he shares with Hemsworth as his brother easily takes precedence as the most memorable moments from the movie. He could have a film entirely dedicated to himself and not lose one bit of interest or investment in it. He’s that good.
The rest of the film is your typical Asgardian action-adventure. Characters fly and fight each other in incredible visual spectacle, the costumes on both the Asgardians and the elves have an edge and detail to them that evokes the feel of ancient Roman garb and armor, and the set design of Asgard and its surrounding worlds continues to shine in spectacularly vivid detail, as if it’s an image ripped straight from our dreams as opposed to the frames on celluloid. The film’s director Alan Taylor demonstrates a keen eye on the design and visual appearance of Asgard and the nine realms, and so he should. He’s directed seven episodes from the highly-praised “Game of Thrones” television series, another show that had highly-stylistic violence and an acute sense of detail to its scenery and costumes. Thor: The Dark World is a fitting follow-up for him. Asgard continues to astound and amaze, the action is just as exciting and gripping, and Taylor continues to expand upon this infinite universe that Thor is constantly exploring.
So which film is better? Thor, or The Dark World? I can’t really say for certain. They both play to their strengths, yet also demonstrate ignorance to the flaws perpetrated by their plots. I guess for me, it depends on how much you want to see Thor’s character arc fleshed out versus watching Thor bash bad guy’s brains in with a magical metal hammer. I vote hammer. Thor: The Dark World is ambitious, gladiatorial-style fun that pits our super-powered fantasy heroes against each other and watches what chaos ensues. I halfway expect Thor to turn around and yell “Are you not entertained?!” to the audience after playing whack-an-elf with Malekith. I’d pay a ticket price just to see that on its own.