Tag Archives: Paul Rudd

“ANT-MAN & THE WASP” Review (✫✫✫)

SOURCE: Walt Disney Studios Motion Pictures

Quantum-realm conundrums.

Out of all of the new heroes introduced into the Marvel Cinematic Universe, the one with the worst timing is easily Ant-Man. Here is a guy who, no pun intended, is much smaller than his Marvelite peers. He shrinks to Honey, I Shrunk The Kids size and zips around like the Road Runner from “Looney Tunes.” His sidekicks are literal insects. And he has released not one, but two movies directly after the Avengers’ last two outings. When will this guy learn you can’t piggyback off of the Avengers? The only insect-based hero capable of doing that is Spider-Man, and something tells me we won’t be hearing from him for quite some time.

In this sequel to both Ant-Man and Captain America: Civil War, Scott Lang (Paul Rudd) is under house arrest after helping Captain America and crew fight Tony Stark in Germany. Sick of his frequent bouts with the law, Scott just wants to take it easy on the superheroing gig and finish his sentence so he can be a free man and reunited with his daughter Cassie (Abby Fortson).

Unfortunately, his mentor Hank Pym (Michael Douglas) and his daughter Hope (Evangeline Lily) have other plans for him. After Scott escaped from the Quantum Realm in the first movie, Hank has been eager to travel back to search for his wife Janet (Michelle Pfeiffer), who has been lost to the Quantum Realm for several years. Believing that Scott somehow still harbors a connection to the realm, they recruit him into their scientific endeavors to shrink back into the Quantum Realm and save Janet. Meanwhile, a mysterious new enemy called Ghost (Hannah John-Kamen) is following them, also seemingly interested in the Quantum Realm and Janet.

First thing’s first, I love Paul Rudd. Watching him playing a character who is one part superhero and another part awkward dad, I was reminded of why I like him so much: he’s just such an earnest performer. In his introductory scene, he’s seen pretending to be Ant-Man with his daughter Cassie, and he navigates her through his own cardboard maze complete with its own giant-sized ants and wasps replicas. Watching the way he seemed so excitable with Cassie, filling this young child with the wonder and imagination of being a superhero, it was sweetly sentimental in the way it reminded me of times when I was a kid playing pretend with my own father.

That speaks to Rudd’s skills as an actor, and also exemplifies why every scene he’s in just feels so natural. Part of why Ant-Man is so appealing is because of how unassuming he is. He’s not a high-strung billionaire like Iron Man, or a literal Norse deity like Thor, or even a Star-spangled super soldier like Captain America. He’s just some guy, and he’s trying to juggle superhero life with his everyday problems as an ex-convict and a father the best he can. That makes him shine throughout the picture regardless if he’s trying to be dramatic or comedic. There was one part in particular where he mimicked Michelle Pfeiffer so well that I wondered if the real Michelle Pfeiffer would have done any better. It had me dying in laughter.

But it isn’t just Rudd who improves his artistry for the second outing: Peyton Reed also fleshes out his skills as a director to make a much more creative action movie. One of the things that underwhelmed me from the first film was how basic Scott’s abilities were. The full extent of his powers basically involved shrinking, controlling ants, and once in a while enlarging objects, and that’s it. I was bored watching Ant-Man, but here I’m exhilarated seeing Ant-Man and the Wasp shrinking, expanding, zipping, zooming, and zapping their enemies back-to-back. If you don’t think superheroes named Ant-Man and the Wasp can be taken seriously, think again. Their lightning-quick reflexes and their special effects-heavy spectacle was so dizzying that I was surprised at how immersed I really was in all the action. And be honest here, fellow reader: there’s something really satisfying about watching a giant Pez dispenser nearly crush an exasperated criminal chasing the miniature duo.

As with most Marvel movies, the villain isn’t very interesting and lacks the depth and complexion that made villains like Killmonger in Black Panther and Thanos in Avengers: Infinity War stand out in their movies. Some of the gimmicks and jokes repeated so much that they got old after a while, and there was one part of the film that was so eye-rollingly cheesy that I wondered when the director was going to yell “CUT!” and show the next outtake.

Still, for all of its immaturity and childishness, Ant-Man & The Wasp is a fun, lighthearted outing: a breather we desperately needed after being emotionally exhausted from the other two Marvel movies released earlier this year. The first Ant-Man movie seemed to struggle between deciding whether it wanted to be a heist movie, a comedy, or a superhero film and split itself into three different parts. Ant-Man & The Wasp demonstrates a better understanding of its characters and premise. For once, I’m excited to see what the third installment will bring in a trilogy. Somebody just needs to tell Scott to wait a little while longer after the next Avengers movie releases.

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“ANT-MAN” Review (✫✫)

Fear me! I control ants! 

Here’s the perfect example of expectation affecting outcome. Let’s be honest: who was expecting anything out of Ant-Man? I know I wasn’t. I went in expecting a complacent, by-the-books, predictable superhero thriller. I left after getting that exact same thing.

Okay, maybe I’m being a little rough. The movie does have its moments, and it did at times give me slight enjoyment and chuckles. But how can individual moments replace an entire movie? If you compare Ant-Man to its other giant-sized movie counterparts (The Avengers, Iron Man, Captain America: The Winter Soldier), you will always arrive to the same word to describe it: smaller.

Taking place after the events of The Avengers: Age of Ultron, Ant-Man introduces Hank Pym (Michael Douglas), a genius scientist that rivals the intellect of Iron Man’s father Howard Stark (John Slattery). After realizing that the government was seeking his Pym particles, which allows him to turn into Ant-Man, to be weaponized, Pym goes into retirement, hoping to protect his particles from the world so that they would never be used for nefarious purposes.

Enter Daniel Cross (Corey Stoll), Pym’s ex prodigy. In modern day, Cross re-created Pym’s particles in the form of Yellowjacket, a suit similarly designed to Ant-Man and outfitted with the same capabilities. Desperate to get the suit and to further protect his invention, Pym enlists the only individual who can help take up the Ant-Man mantle: Scott Lang (Paul Rudd), a notorious thief who has a knack for getting into places he doesn’t belong, and a daughter he’d do anything to see again after separating from her mother.

It’s true, most probably didn’t think much about a superhero named Ant-man when this project was originally announced. But to be fair, this film does have some merit, despite its low expectations. The best thing I can say about Ant-Man is this: its fun. Meagerly fun, yes, but it still counts.

Honestly though, that doesn’t surprise me much. The film was originally written and was supposed to be directed by Edgar Wright, who is most known for his comedic action films Shaun of the Dead, Hot Fuzz, The World’s End, and Scott Pilgrim vs. the World. If you’ve seen any of those films, you know that he’s a clever and well-versed filmmaker who knows how to balance action and comedy with drama. If I were a studio head, I would have taken one look at his filmography, thrown all of my money at him, and shouted “Take it! Take it all! Take it and make more!”

So what happened? Simply put, Marvel happened. After a few creative disagreements between himself and Marvel, Wright left and Peyton Reed was hired in his place. Reed directed The Break Up and Yes Man before helming Ant-Man. Yeesh.

Luckily, Ant-Man survived it’s lop-sided pre-production into release. Well, maybe “survived” isn’t an appropriate word. Dragged by its insect legs is more accurate.

The biggest complaint about Ant-Man is that it’s inconsistent. Moments of heartfelt drama collide with out-of-place comedy. Comedy is bogged down by moments of forced emotion. The only thing that is consistent in the film is its action, which is surprisingly innovative to its premise.

For instance: in the first scene where Scott shrinks as Ant-Man, he falls into a bathtub. Who would have thought falling in between droplets of water and cracks in the floor would be so exciting and interesting? The details we see when Scott shrinks are extraordinarily eye-popping, immersing us in this whole new world we didn’t see before in regular proportion. Seeing Scott traverse into ant hills that turn big when he shrinks, communicating with insects his size when he’s small, and finding new locations inside smaller ones are among some of the fantasies we see when he’s Ant-Man. Seeing him fight as Ant-Man is the most fun. Who knew that a Thomas the Train set could be so dangerous to two miniature super-beings?

Other than the visuals though, the movie is sub-standard. It’s cookie-cutter in about every sense of the word. The comedy, the drama, and the acting is all forced for effect, and in the process, it has none. For Pete’s sake, even the movie’s villain is so bland. Who cares about some bratty little business executive who steals a powered suit for money, fame, and power? That was Obadiah Stane in 2007’s Iron Man, and he was a much more compelling villain than this standard archetype of an antagonist.

It’s true, this film didn’t have much to go on when originally announced, but the idea doesn’t count as much as the execution. People doubted Guardians of the Galaxy when that came out, and people reversed their opinions and said it was greater than The Avengers after they saw the film. I believe those same people will watch Ant-Man with no reaction as he flies in the air and goes “splat” across their window pane.

Footnote: If you do decide to watch Ant-Man, do not watch it in 3D. It has some of the worst particle effects I’ve ever seen in a 3D conversion, and I had to lift my glasses every five minutes to see how much brighter the film was without the glasses. I didn’t know that Ant-Man was supposed to be such a dark picture.

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