Tag Archives: 2013

OSCAR REACTIONS 2013

Well, that was anti-climactic.

For those of you who live under a rock and don’t know who I’m talking about when I mention the word “oscar”, the 86th Academy Awards took place yesterday on ABC, hosted by comedian Ellen Degeneres. Needless to say, Degeneres was brilliant, taking selfies, buying pizza, crashing twitter, bringing the stage down for Jennifer Lawrence, and calling Liza Minelli a man all in one night. And yet, despite all of her efforts, the oscars seemed so… boring.

How did this happen? The nominees, dear reader. Out of the 24 categories in the ceremony I got twenty right, beating most of my Shorthorn peers and family members for the potluck we held that night. The most I’ve gotten previously was sixteen. I’m inclined to believe that the academy made the winners of these awards too obvious by building up too much hype of them during the buzz of the past few months.  Case in point: was there any argument that Frozen was going to take home best animated feature?

It doesn’t matter now, anyway. It happened, and I got 20 right out of 24 categories. Yes!!! Just because I predicted them correctly, however, doesn’t mean I need to be happy for their win. Let’s go through each of the categories and see whether or not they really deserved it or not…

BEST PICTURE (CORRECT!) The best picture of the year rightfully won best picture at the Academy Awards: Steve McQueen’s phenomenal, gripping, heart-wrenching, spellbinding and immensely powerful 12 Years A Slave won best picture. While I’m ecstatic for its win and could not agree more with the Academy’s consensus, I find it very strange that it won the Academy’s highest honor despite it only winning two other awards. But we’ll talk more about that later.

BEST DIRECTOR (CORRECT!) Also correctly predicted is Alfonso Cuaron for his nerve-wracking and tensely-directed sci-fi thriller Gravity. I already mentioned this in my predictions, but the best director award needs to be reserved for the best picture of the year. I loved Gravity with every fiber of my being, but it simply does not match the cinematic caliber to that of McQueen’s 12 Years A Slave. It would be like comparing The Dark Knight to that of Slumdog MillionaireThe Fugitive to that of Schindler’s List, or Jaws to that of One Flew Over The Cuckoos Nest. They are all ingenious, brilliant and incredibly memorable pictures, but the best picture of the year is awarded that because of the direction and treatment that it was given.

That’s not intended as an insult towards Cuaron, and I definitely believe he deserves it based on the physics and tension of the movie alone. If I’m thinking about which movie had the bigger impact, however, it’s no contest on which one it deserves to go to: McQueen for 12 Years A Slave. Nevertheless, I congratulate Cuaron on his many accomplishments regarding Gravity. Lord knows my heart stopped at least a few times while watching that picture.

BEST ACTOR (CORRECT!) Matthew McConaughey took home the award for best actor as a rowdy texas cowboy dying of AIDS in Dallas Buyers Club. While the award could have gone to either him or Chiwetel Ejiofor for 12 Years A Slave, there’s no denying the power, the energy, and the raw gravitas that he brought to a man’s desperate journey to survive. Plus, I love his acceptance speech and how he dedicated the award to God and to “himself in ten years”. That’s a wise goal that any man should strive for.

BEST ACTRESS (CORRECT!) Cate Blanchett won best actress for Woody Allen’s Blue Jasmine. While I have regretfully not seen the movie yet, I will say that the few scenes I have seen her in impressed me very much, and that she did a solid job portraying a deeply bothered woman who is in deep depression and alcohol addiction. Congratulations to her. I look forward to watching the film, as well as Blanchett’s performance in it.

BEST SUPPORTING ACTOR (CORRECT!) Did Michael Fassbender win best supporting actor like I wanted him to? No, he did not. Instead, Jared Leto took home the award portraying the transgender AIDS victim Rayon in Dallas Buyers Club

The more I think about it, the more ridiculous I think it is that the best picture winner of the year did not get recognized in so many categories. Why the snubbing from Fassbender? Half of the movie’s turmoil and conflict came from this despicable character, a man so inhumane and abominable that Calvin Candy from Django Unchained would have broke down in tears after seeing what this man forced people through. Fassbender was pivotal, aggressive, violent, and hateful as Edwin Epps, and incurred more emotions from audiences than that of a transgender AIDS patient in Dallas Buyers Club. I know 30 Seconds To Mars fans will hate me for saying this, but the more vital role needs to go to the more vital performance. I said it once, I’ll say it again: Leto is not as deserving in the award as Fassbender is.

Again, no disrespect, and I acknowledge that Leto gave a great performance in the picture. But like Cuaron with best direction, the more compelling presence needs to go to the more compelling artist. Sorry, Rayon.

BEST SUPPORTING ACTRESS (CORRECT!) Lupita Nyongo won (and deserved) the academy award for best supporting actress for her heartbreaking role as a desperate and depraved cotton picking slave in 12 Years A Slave. No qualms here.

BEST ORIGINAL SCREENPLAY (CORRECT!) I also correctly predicted that Spike Jonze would win the best original screenplay award for his sci-fi romance story Her. Comparing Her to the genius of David O’Russell’s American Hustle, I mentioned in my original predictions list that “just because its a smarter story doesn’t necessarily mean that it is a better one.” I do not retract my statement.

BEST ADAPTED SCREENPLAY (CORRECT!) John Ridley won best adapted screenplay for his incredibly well-documented 12 Years A Slave. He equally deserved it, as Solomon Northrup’s story, or legacy, could not have translated any better to the screen if the filmmakers tried. Great job, Ridley. You gave us an unforgettable and incredible story, the likes of which no one has seen since Steven Spielberg’s Schindler’s List. 

And this is the only other award 12 Years won for the night. No cinematography. No editing. No costume or production design. No supporting actor. No other award that would further substantiate and support its win for best picture.

Am I the only one that finds this completely ludicrous? To date, there are only three best picture winners to win only three academy awards. Those movies are The Godfather, Crash and Argo, and two of them didn’t even win in major categories. Seriously, what is going on? Why are we being so insubstantial towards movies that have been deemed the best of the year? Do academy voters not realize that by naming this the BEST PICTURE OF THE YEAR that they’re saying that its better than everything else? And according to this ceremony, not only are they saying that it is the equivalent of Dallas Buyers Club (they both won three academy awards), but that Gravity is superior to it with seven wins and no awarding of best picture.

Seriously. Make up your mind. I’m fine with you saying one picture is better than another, but substantiate that by what awards you give it. I seriously doubt that 12 Years is best picture because of its screenplay and its supporting actress alone. Likewise, I doubt that Gravity isn’t the best picture of the year because it has the best direction, camerawork, editing, sound mixing, and visual effects out of any other picture.

That’s all I ask, folks. Not preference. Fairness.

BEST FOREIGN LANGUAGE FILM (CORRECT!) The Great Beauty won for best foreign-language film. That’s the one that everyone saw, right? It obviously deserved to win.

BEST DOCUMENTARY FILM (INCORRECT!) I incorrectly predicted that Act Of Killing would win the award, but no, 20 Feet From Stardom took the award home, with featured artists on the film including music legends Mick Jagger, Bruce Springsteen and Stevie Wonder. I haven’t seen the film, so I have no place on commenting on it, but it seems odd that the Academy would reward a movie about background singers over that of a tragic confrontation of death and social issues. I’ve yet to see either of them though, so like I said, my opinion is invalid in this category.

BEST ANIMATED FILM (CORRECT!) Disney won best animated feature for Frozen. While I didn’t care much for it, I know it made a wide impact on its audience and that it will go on to be fondly remembered by many animated movie lovers for years to come. So congratulations for its win, even though I’m no fan of the cold weather this time around.

BEST ORIGINAL SONG (CORRECT!) Frozen won best original song for its memorable song “Let It Go”. It certainly didn’t win for Idina Menzel’s performance, that’s for sure. What the heck happened with her? Her pitch was all over the place, her control was wonky, and her whiny voice was the contrast of the powerful, beautifully controlled voice she exhibited in the movie itself. Seriously. What happened?

One song I’ve really been getting into recently (and I think you’ll agree with me) is Pharell Williams’ “Happy”. The performance proved why. Not only was it energetic, upbeat, and undeniably catchy, but Williams gave a great performance, he exhibited great control and showed very few differences from the studio version of his song. Menzel’s performance, in comparison, was completely and utterly horrendous.

But hey, I guess that’s why the award is called “best original song” and not “best performance”. Otherwise, I think we both what the turnout would be.

BEST ORIGINAL SCORE (CORRECT!) Steve Price took home the award for best original score with Gravity. He completely deserved it. Not only did it match the tension, edginess and unease of the movie, but it also gave a dignified sense of hope and accomplishment after a long journey of heart-pounding danger and peril. Listening to the soundtrack alone gave you the feeling of identity and survival, and Price was definitely the most deserving out of any nominee. Congrats to him for his win.

In the meantime, I’m still wondering where is Hans Zimmer’s nomination for Rush. Remind me again why this movie wasn’t nominated for anything?

BEST CINEMATOGRAPHY (CORRECT!) In 2011, Emanuel Lubewski was mercilessly snubbed for his masterful, Stanley Kubrick-esque camerawork in The Tree Of Life. If he didn’t win it this year, I was literally planning on flipping out.

Luckily, he did.

BEST FILM EDITING (CORRECT!) Another category that I felt 12 Years was superior to Gravity, yet it still lost to it. Must I keep beating a dead horse? Gravity was a more visually stellar and energetic picture. 12 Years was the more engaging and involved one. Part of that was because of how the film was put together in a traditionalist style that was reminiscent of Dylan Tichenor’s work from movies including There Will Be Blood and Brokeback Mountain, where he focused most of the runtime on the film’s subjects rather than worrying about flashy cuts or transitions. Film editing is one of the most important part of storytelling, and what have I been saying is the best story of the year? 12 Years A Slave.

I’m not going to drag this out though. Gravity was a great picture, and editors Alfonso Cuaron and Mark Sanger definitely reached outside the box to accomplish things visually no other film did this year. It did a good job. Moving on.

BEST PRODUCTION DESIGN (CORRECT!) The Great Gatsby won for best production design. Considering the sets were the most colorful and visually appealing out of the year, that isn’t very surprising.

BEST COSTUME DESIGN (INCORRECT!) Unfortunately, I predicted this category wrong, thinking that 12 Years was going to get this one. The only reason I went with that instead of winner The Great Gatsby was because I knew Catherine Martin was already going to win for best production design, and any more than that would have been greedy. I forgot that “spreading the wealth” isn’t a phrase the academy is most well known for.

BEST MAKEUP (CORRECT!) Thankfully, Dallas Buyers Club won for best makeup and hairstyling. As long as Jackass: Bad Grandpa didn’t walk home with the award, I’m satisfied.

BEST SOUND EDITING (CORRECT!) Gravity won.

BEST SOUND MIXING (CORRECT!) Gravity won. Again.

BEST VISUAL EFFECTS (CORRECT!) If you even thought this award was going to anything other than Gravity, you’re either insane, or blind.

And at last, the long-dreaded short film categories.

BEST LIVE-ACTION SHORT FILM (CORRECT!) Surprisingly, I got this category correct with predicting Helium. I haven’t seen the film though, so it was only by sheer luck that I got this right.

BEST ANIMATED SHORT FILM (INCORRECT!) Mr. Hublot took home this award. That’s surprising, considering how clever and fun Get A Horse! was, but nevermind. I haven’t seen the movie, so I can’t comment on it.

BEST DOCUMENTARY SHORT (INCORRECT!) The Lady In Number 6: Music Saved My Life. Again, just like any other films in these categories, I haven’t seen it, so how would you expect me to get it right? You might as well blindfold me and ask me to just write on the flipping ballot.

Overall, this has been a fun ceremony, and I’m grateful to Ellen Degeneres for making it a happy-go-lucky and loveably quirky time. Just please, make the ceremony less predictable next time, okay? I’d rather not have a film come in and just know that its going to dominate in all of the categories. You would have been better calling it “The First Annual Gravity Awards”.

-David Dunn

Advertisements
Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Top Films of 2013

“Storytelling has gone through a great evolution in today’s culture,” said my pastor on Christmas day sermon, speaking on the technology breakthroughs we’ve made this year through film and television. “The stories that were given to us as a result are for more than just entertainment,” he said. “They were given to us as insight for the ears and for the heart.”

Oh man, is he right. 2013 was one heckuva year for movies, and while I can’t necessarily say that it was better than last year (With The Avengers and Argo and all), it certainly didn’t let me down. Just like any other year in my career, the movies have never dissapointed me.

Unfortunately, if I want to remain “hip” or “relevant” in today’s culture, I have to do the long-dreaded top ten list. Did I mention before how much I hate doing these? While I like highlighting the best films among the year, I hate placing one film over another, like one of them inherently did something wrong to not fight for one spot higher. Can’t we just appreciate the films for what they are and be done with it?

Faithful readers will remember that I had trouble making this same list last year. I was so intent and so focused on rushing my 2012 list out there in a timely fashion that I left out a few notable pictures that I haven’t been given the chance to see yet, including Les Miserables, The Hunger Games and Beasts of The Southern Wild. I eventually re-wrote my top ten list and published it in late February, leaving out movies such as The Amazing Spider-man and Prometheus off of my list.

So what makes this year different from last year? I’m more sure of myself. I’ve given considerable thought to the movies I’ve seen, what movies others have seen and what has made the greater impact on me this year. I’ve also covered more ground than I did last year, and I saw more of the contenders that people will be paying close attention to come awards season. In short, dear reader, I have improved. As a critic, as a writer, and as a media analyst overall.

Keep two things in mind when reading this list. I look at these movies based on their own merit, specific to their genre, why they may or may not appeal to you, and why you should go and see them. I’m not going to judge Star Wars in the same way I judge Schindler’s List, and neither should you. I also have not seen every film released this year, so I sadly can’t give credit to those movies I haven’t seen. That includes movies such as Wolf Of Wall StreetHer, and perhaps most disappointingly, Fruitvale Station.

Despite that, I’m confident that these are my favorite pictures of the year, and that many of them will be your favorites as well. All ten of the movies you are about to see made a significant impact on me this year. They’ve delighted me. Entertained me. Gave me insight on issues I knew little about. But most importantly, they’ve reached emotional levels so personal that it’s hard to find someone who wasn’t affected by them this year.

If you are still reading my inexhaustible bantering, it means you are still interested in my top picks of the year (which indeed is very shocking to me). Let’s begin:

10) STAR TREK INTO DARKNESS

A sequel of excellent caliber, a science-fiction film that not only lives up to its fans’ expectations, but in many ways, surpasses them. After Captain John Harrison (Benedict Cumberbatch) betrays Star Fleet, attacks their headquarters and flees to a Klingon planet, Captain James T. Kirk (Chris Pine) and Spock (Zachary Quinto) are assigned to track down Harrison and bring him in, but soon discover a dark secret in his past that will change their lives forever. This movie is everything that a great sequel is supposed to be: exciting, engaging, suspenseful, emotive, and reminiscent of the original. It lacks the originality as it’s predecessor, but that hardly matters: the script is brilliant, director J.J. Abrams is great, and the fight sequences are exhilarating. Cumberbatch is irreplaceable. Three and a half stars

9) MAN OF STEEL

An ambitious and action-packed thrill ride giving new energy and enthusiasm to a cherished American franchise. When Clark Kent (Henry Cavill) discovers that he is a descendent of an extinct alien race from the planet Krypton, Clark needs to embrace his superhuman abilities and become the symbol of hope destined to inspire humanity. Directed by Zack Snyder (300), produced by Christopher Nolan (Inception) and written by David S. Goyer (The Dark Knight Trilogy), Man Of Steel is a superhero epic that fires on all cylinders. The cast is great, the visual effects are striking, the story is compelling, and it looks at Superman from a more humanistic perspective, as an outsider trying to fit in to a world where he doesn’t belong. The definition of a Hollywood Blockbuster. Four stars.

Photo courtesy of Warner Bros.8) 42

A gripping, well-written sports story with a great cast to compel us through it. Chronicling the true story of the first professional African-american ballplayer in American history, Jackie Robinson (Chadwick Boseman) is asked by baseball executive Branch Rickey (Harrison Ford) to play for the dodgers and unite a country through a time of separation. Written and directed by Brian Hedgeland, 42 does a good job switching between emotions, from that of anger and disappointment to that of happiness and endearment. Ford is good as the headstrong and stubborn Rickey, but the surprise performance comes from the little-known Chadwick Boseman, who portrays Jackie so well that its nearly impossible to think of anyone else portraying him. You’re not watching a movie when you watch 42. You’re watching a legacy. Four stars.

7) CAPTAIN PHILLIPS

An exciting account on true events that somehow remains suspenseful, despite knowing how its going to end. Captain Richard Phillips (Tom Hanks) leads the cargo ship Maersk Alabama over the pacific ocean when a band of pirates attack the ship, kidnap Phillips, and take him hostage. Now with the Navy and the U.S. Government looking for the pirates at every turn, the quest to find the pirates quickly turns to a race against time to find and save the selfless captain. Paul Greengrass, who helmed the Bourne Supremacy and Ultimatum films, pioneers Hanks through this suspense thriller, and his expert timing combined with Hanks’ heartfelt performance made this film feel very real and fluid. The editing is tight, clean and efficient, cutting in and out at precise moments to give us the most tension and unease.  A convincing portrayal of events that is excellent at orchestrating emotions. Four stars.

6) SAVING MR. BANKS

A nostalgic, heartfelt, genuinely touching film about an author worried about her work similar to how a mother worries over her child. Pamela Travers (Emma Thompson) is the author of her acclaimed series of her “Mary Poppins” books, and her war of the creative rights with Walt Disney (Tom Hanks) is nearing its end. However, after confronting her own past and getting to know Walt a little better, Pamela begins to feel more at ease sharing her story not only with Walt, but with the rest of the world. Written and directed by John Lee Hancock (The Blind Side), Saving Mr. Banks is a wonderful film that bounces in between emotions like a kid does inside a bounce house. Hanks is good as Walt Disney, but surprisingly, he isn’t the highlight performance. Emma Thompson is the driving force behind this biopic, delivering a performance so versatile and demanding that she comes to identify the film entirely through her own character. The most magical moment comes when Ms. Travers watches Walt’s film adaptation of Mary Poppins for the first time. Four stars.

5) RUSH

An unstoppable and uncontrollable rush of energy, excitement, and gravitas, a movie that starts on a high note and simply refuses to let up all the way through. James Hunt (Chris Hemsworth) is a hot-headed racer who knows nothing except instinct and winning. Nicki Lauda (Daniel Bruhl) is a german racer who knows nothing except business and blunt honesty. Together these two rivals inspire and fuel each other’s ambition to outdo the other and win first place in the 1976 Formula One Season. This is a movie that is compelled by truth and driven by accuracy, pun intended. Hemsworth and Bruhl are perfect as Hunt and Lauda, their edginess and animosity apparent in every scene, never once breaking character. Ron Howard is documenting the film more than making it, and with the help of his screenwriter Pete Morgan and his editors Daniel Hanley and Mike Hill, he makes a biographical picture that is both relevant and exciting for its audience. An incredibly driven film that is entirely, unforgettably awesome. Four stars.

4) THE BUTLER

An earnest, humble film, parts approachable and observant yet equally ambitious and honest. Forest Whitaker plays as Cecil Gaines, a black butler who grew up during the slave era, growed up learning how to be a white man’s servant, got a job at the White House, and continued to serve there for almost 35 years. As he watches history pass him by from President Eisenhower all the way up until President Regan, Cecil recounts how he’s changed as a husband and as a father and what it means to be a free black man in America. Lee Daniels directs an all-star cast through this gripping, emotionally overwhelming story, with actors like Robin Williams, Alan Rickman, John Cusack, Cuba Gooding Jr., Terrence Howard and Mariah Carrey in it just to name a few. The best performances come from Forest Whitaker and Oprah Winfrey as his wife, whose performances at many times carry the film on their own merit. A film that looks into the reality of circumstances and shows them exactly how they were, no matter how tragic or heartbreaking they were. Four stars.

3) THE HUNGER GAMES: CATCHING FIRE

A tense, gripping, and pulsating film crackling with energy and drama. Taking place after their victory at the 74th Hunger Games, Katniss Everdeen (Jennifer Lawrence) and Peeta Mellark (Josh Hutcherson) try to re-adjust to their normal life until President Snow (Donal Sutherland) declares that the 75th Hunger Games will feature all of the previous winners, including Katniss and Peeta. Now shoved back into the horrid games that scarred her in the first place, Katniss must find a way to not only survive the games with Peeta, but to retain her humanity after everything is over. Directed by Francis Lawrence (I Am Legend), Catching Fire is the film that is everything the first thing was except more. The story is captivating, compelling, and deeply emotional. The themes are deep, powerful, and maddening. And the cast is more than exceptional, with Lawrence’s heartbreaking expressions at the center of it all. Not only one of the best sequels of the year, but one of the best movies of the year, period. Four stars.

2) GRAVITY

A film for a generation, a picture so convincing in its approach that its nearly impossible to think that it wasn’t even filmed in space. Sandra Bullock stars as Dr. Ryan Stone, a medical engineer out on her very first space mission with veteran astronaut Matt Kowalski (George Clooney). When debris suddenly strikes their station and leaves them astray, Stone and Kowalski need to fight to survive and find their way home back to planet Earth. There is literally not a single technical fault in the film. The visual effects are stunning, eye-popping, and visually-breathtaking. The cinematography by Emanuel Libewski is poignant, curious, and masterfully constructed. But the most credit needs to go to writer-director Alfonso Cuaron, who is so precise with the film’s visuals, story and Bullock’s performance that he makes the film just as emotional as it is anticipative and on the edge of your seat. It blurs the line in between science fiction and science reality, and is probably the best space movie I’ve ever seen. Four stars.

1) 12 YEARS A SLAVE

One of the best films of the year, and among the best on the subject of racism and slavery. Based on the true story of a free man named Solomon Northup (Chiwetel Ejiofor), 12 Years A Slave chronicles his story of being drugged, captured, and sold into slavery for over a decade of his life. Directed by Steve McQueen (Hunger, Shame) 12 Years A Slave is this year’s frontrunner of the Oscar for best picture, and it’s very deserving of that title. Not only is it tragic, maddening, and heartbreaking all at once: it is a very diverse and well-made film. The cinematography by Sean Bobbit is lush, broad, and captivating. The soundtrack by Hans Zimmer is slow and dreary, the third of his movies this year to be featured on this list. Ejiofor, however, is the star of this show, with his passionate, tearjerking performance driving us to care for this character and feel what he is feeling. Compels you to experience compassion and sympathy in ways almost no other film can do. Not even with Schindler’s List. Four stars.

Whether you’re a dedicated movie lover or simply a casual viewer, I encourage all of you to see the movies on this list. They did more than impact me: they touched and inspired the people all around me.

-David Dunn

Tagged , , , , , , , , , , , , , , , , , , , ,

The Philanthropist And The Entertainer: A Eulogy

Before I begin, let me start by stating the obvious: yes, I know that I’m late with reporting this. Everyone already knows about the following issues I will be tackling. The information provided in this article is no longer timely. I know that. However, given the gravity of the situations and considering that I’m also writing this from an essential perspective, I write and publish this in the hopes that people will have a changed outlook to similar occurrences in the near future, not that I’m looking forward to these things repeating themselves in any way.

On Saturday, December 5th of last week, Nelson Mandela passed away at his home in Houghton, Johannesburg, succumbing to the respiratory infection he’s been struggling with for years now. He was surrounded by his friends and family when he died. The nation mourned, a memorial was held, and the world leaders all flocked to Africa to celebrate the life of one great man, including President Barack Obama and South Africa’s own Jacob Zuma. Mandela was 95 years old.

A week before, the world was ridden of another great man. On November 30th, two days after thanksgiving, celebrity and actor Paul Walker was killed in a fatal car crash that took him and friend Roger Rodas’ life on the road. The car burst into flames upon crashing into a light pole, which investigators believe the car was going 90 miles per hour in a 45 mph speed zone.

Regardless of the details of the crash, their deaths were tragic all the same. Rodas, who was a raceshop owner and Walker’s financial adviser, was survived by his wife and his two children, one of whom was his eight-year old son who saw him at the crash site. While Walker is most known for the Fast and Furious series, Walker was also known as an avid car lover, racer and a phenomenal philanthropist, founding a charity in 2010 called “Reach Out Worldwide” as a response to the earthquake in Haiti. Him and Rodas were coming back from a philanthropic event hosted by this same charity before they got into the fatal crash.

These three great men passed away under tragic circumstances, all of them leaving behind families who will love them and miss them forever. Two of them were known world-wide, and contributed to the health and well-being of mankind. One of them, however, changed a nation and inspired generations.

If you read that last part and were about to say Paul Walker, I’m going to slap you so hard you won’t be able to tell the difference between a Ferrari and a Volkswaggen. The day I was informed of Walker’s death was surprising in the least. At 24 years old I didn’t expect to hear that he had passed away, though admittedly I wasn’t surprised to hear it was a car crash. All of social media blew up with his death. My Facebook was crammed with status updates. There were too many tweets to count. And in the following days, so many publications were writing about his death he might as well have been Michael Jackson.

Now experiencing the same shock and sadness with Nelson Mandela’s death, I find it interesting that the public’s reaction is mild at best and non-existent at its worst. Looking back at my twitter and Facebook feeds, I notice nearly everyone I followed wrote about Paul Walker almost instantaneously the day he died. When Nelson Mandela died on December 5th, about how many people do you think tweeted or facebooked on his death? On my feeds, I counted five.

Anyhow, back to Paul Walker. On one of the posts I was reading, a close friend of mine commented on the feed which stirred quite a controversy between him and other bloggers. On another friend’s post, he commented bluntly: “What war did he serve in? Oh yeah, that’s right…”

He later came back on Facebook, writing about Paul Walker’s death and criticizing all of the attention people were paying towards it. Obviously, people were angered and offended by his comments, but take a second to understand it from his perspective. My friend, who will remain anonymous out of respect, previously served in the military before going to college. He served in the Iraq war for eight years on two tours of duty. The experience of killing and seeing many of his friends getting killed impacted him deeply, and when he came back to the USA he was mostly alone, suffered from cases of depression and paranoia, and was homeless for many years of his life before a friend convinced him to go to college and change his future. He experienced the worst the world had to offer, came back from it and decided to make himself something out of it. I respect him with great admiration, as I do towards anyone who makes the sacrifices he does and comes back choosing to better themselves out of it.

But this isn’t about him. This is about Paul Walker, Nelson Mandela, and the media that popularizes them both. Answer honestly: in the days you heard about Walker and Mandela’s death, which one did you hear about quicker? Whose death was talked about more? Who’s stories were discussed more in the media? Do you even know who Nelson Mandela is?

If you don’t, here are the bullet points: Nelson Mandela was born into an apartheid and racially segregated Africa. From 1950 to 1962, he protested against his government and the racial evil they advocated, and because he spoke out he was thrown into prison for 28 years of his life. When he finally was released from prison in 1990, he ran an election for presidency over South Africa, and was the first black president ever to be elected into office. During his time as president he brought an end to apartheid, advocated human rights for all African citizens, and unified a country during a time of great tension.

That’s just a summary of his career, but Mandela has done so much more. After his retirement, Mandela focused on charitable foundations and poverty. He communicated to the NAACP on the economic assistance of Africa. He focused on world-wide issues through an organization called “The Elders” founded by himself and others in 2007. And when his son Makgatho died of AIDS in 2005, Mandela lead a campaign aimed towards the improvement of treating and preventing AIDS among other hurting families so they don’t have to go through the same things that he did.

Point being: Mandela changed a nation. For Pete’s sake, he changed the world. There were some things that people were critical of him towards, including his violent protests at the beginning of his career or his condescending views of the United States during the Iraq war. Beyond that though, look at what this man has done. He has taken hardship, unfairness and tragedy, turned it around, and made everything better for an entire nation. I only saw a few facebook updates for this wonderful man, yet Paul Walker looked good and drove sports cars for a living and the internet basically exploded at the mention of his death.

I end mentioning one notable scene from this year’s 12 Years A Slave. In one sorrowful scene, Solomon Northrup is begging to a Canadian carpenter named Samuel Bass, played by Brad Pitt, to write and deliver a letter to his hometown so law enforcement can bring his citizenship papers and free him from his life as a slave. While at first intimidated and afraid at the notion, he eventually comes to resolve, standing up and saying to him:

“I will write your letter, Solomon. If you indeed find freedom, it will not have only been my privilege. It will have been my duty.”

Mandela too recognized freedom from oppression as his duty over of his privilege. And yet we pay more attention to the death of an entertainer over that of the carpenter who freed them.

-David Dunn

Post-Script: Everyone, no doubt, has seen the Fast and Furious movies, because that’s what Paul Walker was most known for. I encourage you then to seek out Clint Eastwood’s phenomenal 2009 sports-drama film Invictus, which not only shows Nelson Mandela’s impact of a nation, but also of the hardships he’s had to endure along the way. Also, Morgan Freeman is in it.

SOURCES: The Guardian, WORLD Magazine, The Huffington Post, NelsonMandela.org
Tagged , , , , , , , , , , , , , , , ,
Advertisements