Ewan McGregor Cast In ‘The Shining’ Sequel

Ewan McGregor is having a great year.

First, he’s starring in the titular role of Walt Disney’s upcoming live-action Winnie the Pooh movie Christopher Robin. Then Disney announced an upcoming Obi-Wan Kenobi movie, which is potentially looking at McGregor to reprise his popular role. Now he’s being tapped to play the lead in the upcoming sequel to Stephen King’s horror saga, The Shining.

Indiewire first broke the news that McGregor officially signed on for the role of Danny Torrence in Doctor Sleep, which shows what happens to an older Danny and his mother after his father Jack (Jack Nicholson) goes mad in The Shining. Details of the film are still being kept under wraps, however much of it is expected to loosely follow the events of the book which it is based on. It’s also going to be written and directed by horror filmmaker Mike Flanagan, who gained notoriety years earlier for directing the slasher film Hush and Stephen King’s Gerald’s Game.

Ewan McGregor? Stephen King? The Shining? Yes please, sign me up for all of it. Stephen King has had no shortage of success in the film industry, his most successful adaptations including The Shawshank Redemption, Misery, The Mist, Carrie, and more recently It. Hearing that we’re going to get more Stephen King horror goodness is exciting enough on its own. The fact that an actor as talented as McGregor is going to be on board with it is downright heart-stopping.

What do you guys think? Are you excited that McGregor is going to be entering the Stephen King universe, or do you wish they’d leave King’s classics alone? Comment below, let me know.

– David Dunn

SOURCE: IndieWire, Entertainment Weekly
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“SOLO: A STAR WARS STORY” Review (✫✫)

SOURCE: Walt Disney Studios Motion Pictures

Ron shot first.

There are two key problems with Solo: A Star Wars Story. First, nobody asked for nor wanted a Han Solo movie. Second, this isn’t a Han Solo movie. If it were, it would have the real Han Solo in it with Harrison Ford, or at the very least, somebody who looked like him. As it stands, all we have is the kid from Hail, Caesar! wearing a Han Solo costume playing pretend on a film set. A more accurate title for this film would have been Star Wars Cosplay: The Movie.

The plot follows a younger Han Solo (ish) played by Alden Ehrenreich, growing into the smuggler that we know of before the events of the original Star Wars. The film shows us everything that has made Han Solo (ish) become Han Solo, from how he got his name, to meeting Chewbacca (Joonas Suotamo), to where he got his signature blaster, to getting the Millennium Falcon. Because, you know, all of those were glaring questions we had from the first eight movies.

There are several things wrong with Solo: A Star Wars Story, but let’s start with its execution. Reportedly the biggest point of contention between producer Kathleen Kennedy and previous directors Phil Lord and Chris Miller, Solo was previously going to be handled in a loose, improvisational style similar to Thor: Ragnarok. After Kennedy got fed up with Lord and Miller’s direction and fired them, she brought on Academy Award-winner Ron Howard (A Beautiful Mind, Rush) to finish production, sticking closer to the script and deviating less from what was on the page.

That’s a problem for Solo, because the script is monotonous at its best and insipid at its worst. Written by veteran Star Wars scribe Lawrence Kasdan and his son Jonathan, Solo is a muddled, incoherent mess, forcing an explanation for every small, insignificant detail that never came into our minds. Some scenes were done well, like when Han met Chewie for the first time after the Wookies were forced out of Kashyyyk in Revenge of the Sith. Other scenes, however, are downright pompous and silly. For instance, were you ever curious how the Millennium Falcon got its iconic shape (besides being simply designed that way)? Did you know that a giant squid was chasing the Falcon during the Kessel Run, as if it wasn’t impressive enough that it ran it in 12 parasecs? And what about the biggest shocker: how Han Solo got his name? Hint: his parents didn’t give it to him.

All of this leads to the core issue here: who, in their right science-fiction fanboy mind, wanted a Han Solo prequel? I would think that out of all of the Star Wars characters, Solo is the least you would need backstory on next to the Skywalkers. What was the point of all of this? Was a prequel so desperately necessary that we needed an explanation for every single mundane detail surrounding Han Solo? Did this story really need to be told? Did Harrison Ford’s legacy really need to be brought back from the grave just so it could be tarnished at the box office?

Speaking of Harrison Ford, Ehrenreich is downright cringeworthy as the younger Han Solo. And to be fair, it isn’t his fault. Hell, it was damn near impossible from the get-go making a Han Solo movie without Harrison Ford. But it wasn’t completely hopeless. Australian actor Anthony Ingruber gave a great Han Solo impression way back in 2008, and he even impeccably mimicked Harrison Ford’s mannerisms in 2015’s Age of Adaline. So a movie portraying a younger Han Solo wasn’t completely out of the question; only far-reaching at Galaxy length.

So what went wrong with Ehrenreich’s portrayal? Besides looking nothing like Harrison Ford, his mannerisms are completely wrong. When you look at the smooth, coy, inherently self-centered smugness of Ford’s Solo in the original trilogy and compare it side-by-side with this kid, you see a guy tripping over his blaster pretending to be a character he isn’t. Ford was cool and confident. Ehrenreich was clumsy and clueless. Ford was sharp and smooth. Ehrenreich was awkward and out of place. Ford has personality and attitude. Ehrenreich had no personality and wishes he had attitude.

Admittedly, not everything in Solo was terrible. The visual effects are impressive as always, and the action is fast, thrilling, and exciting to watch. The small Easter Eggs scattered are about as fun as they always are, with one cameo from the prequel trilogy in particular surprising me quite a bit. And the performances outside of Ehrenreich’s are mostly reliable, with Donald Glover shining in particular as he channels Billy Dee Williams into a younger, spunkier Lando Calrissian (although he had a romance with a droid character that felt, for a lack of a better word, artificial).

All of this just further reinforces how unnecessary Solo: A Star Wars Story was. Again, why was this movie made? A fan of the franchise could not give you an answer that would make any sense. Walt Disney Studios, meanwhile, could give you several reasons relating to the box office. Pray that the studio doesn’t decide to milk the franchise any further to the point where we’re getting a Jabba the Hutt movie. And before Kathleen Kennedy asks, no that was not an actual recommendation.

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“DEADPOOL 2” Review (✫✫✫)

SOURCE: 20th Century Fox

Really? Three stars AGAIN?!

SCREW David Dunn. First, he has the balls to give Logan half a star higher than my first movie after it rode MY R-rating (Yeah that’s right, you’re a freeloader Hugh Jackman), but then his balls grew to tumor-size to give my second movie the same rating?!?! WHY DO YOU KEEP DOING THIS TO ME, DD???

First, don’t compare my initials to a bra size. Second, since you basically did the same thing twice, so am I (hence why we’re also having this conversation a second time).

Oh, shut up. I have Josh Brolin and a metal arm! Doesn’t that count for something?!

Not particularly, since the Marvel Cinematic Universe also has both of those things. What’s he doing in your movie again?

He time-traveled from a dystopian future to kill a kid and save his timeline.

So… he’s the Terminator?

Pretty much, yeah.

Gotcha. So, run the whole thing by me again. How exactly is Deadpool 2 different from the rest of the superhero genre?

I’m glad you asked! First, [INSERT SPOILER ALERT] dies at the beginning of my movie! Second–

That’s already happened.

I beg your pardon?

[INSERT SPOILER ALERT] dying at the beginning. That’s literally happened in every superhero movie like… ever.

Baloney sandwich. Name ten.

Superman, Blade, Spider-Man, Batman Begins, X-Men Origins: Wolverine, Guardians of the Galaxy, Batman V. Superman, Captain America: Civil War, Black Panther, and Avengers: Infinity War. The last two, by the way, were also released this year and are better than both of your movies.

Curses. Outdone by Disney again.

Not for much longer, I suspect.

Okay, but what about everything else in the movie? The action? The drama? The jokes? The Easter Eggs? The cameos? I mean, you HAD to enjoy all that?!

Actually, I did, and I suspect your fans will enjoy it just as much as well. Profane, loud-mouthed, and obnoxious as you are Wade, the one thing you keep proving is that you’re consistently funny. And man, did you have me rolling on the ground laughing. I really liked the opening sequence where you spoofed the James Bond credits, and how you parodied team-up movies like The Avengers and X-Men by bringing together the X-Force. And don’t even get me started on how you commented on the financial stinginess of 20th Century Fox.

Hahaha, hell yeah. Thanks Double-D, I’ll take that fourth star now.

Sorry Wade, but no can do. That’s only reserved for movies that I feel really deserve it.

WHAT THE ****, YOU ************** *** ** * *** ***** *******, WHY DOESN’T DEADPOOL 2 DESERVE IT?!?!

Wade, it’s the same movie. It’s the same freaking movie. Deadpool 1 IS Deadpool 2. You even bring in the same roided-out Russian at the end to solve all of your biggest problems.

Ah, yes. Just like Donald Trump.

Please keep the politics to a minimum, Wade.

Alright, so give it to me straight. What do I have to do to make you give me four stars and an MTV Movie Award?

Wade, I don’t think it’s about a star rating. You found your niche. You’ve made not one, but two fantastic movies that deliver a hilariously violent spoof of the superhero genre. Yeah, it’s not quote-unquote “outstanding.” So what? Maybe the fact that you aren’t some profound, emotional, culturally relevant blockbuster isn’t your weakness: it’s your strength. Maybe you don’t need to be like Captain America, or Spider-Man, or Iron Man, or Wolverine. Maybe you just need to be yourself.

… it’s because I’m white, isn’t it?

Wade.

It’s because I’m white.

I’m very uncomfortable talking about this.

Is that why you gave Black Panther four stars?

I’m done with this conversation. Hit me up when you release X-Force. And a four-star movie.

Oh, you piece of—

I’m sorry, I couldn’t help myself.

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‘Star Wars’ FINALLY Gives Boba Fett His Own Movie

SOURCE: Comic Book Movie

As the opening weekend for Solo: A Star Wars Story quickly approaches, another Star Wars character was added onto the lineup for their own solo feature. That character is none other than the fan-favorite bounty hunter Boba Fett.

Finally.

The Hollywood Reporter broke the news that not only would Boba Fett get his own feature film, but that it would also be written and directed by James Mangold, whose most recent Wolverine film Logan garnered critical appraise and earned a best screenplay nomination at the Academy Awards. X-Men and Sherlock Holmes screenwriter Simon Kinberg was also listed to produce and co-write the film as well.

Honestly, at this point hearing that a Boba Fett movie is getting made at all is reason enough to be excited. When LucasFilm originally confirmed Rogue One and Han Solo prequels for its spinoff series separate from the main Star Wars storyline, fans were understandably wondering why on Earth the studio didn’t start with a Yoda or Boba Fett prequel, considering that so little is known about those characters to begin with. While wait, Yoda will, for his own solo feature, the fact that Boba Fett is finally put on the drawing board is cause for celebration. Solo: A Star Wars Story tickets, anyone?

But more than that, the fact that they brought on Mangold and Kinberg straight from the get-go is cause enough to take a breath of fresh air and feel assured that the movie is in good hands. Kinberg has been involved in writing and producing several of the X-Men films, from X-Men: First Class all the way to Deadpool 2. His involvement in the production is definitely something to look forward to, but it’s even more exciting knowing that Mangold is going to be the one behind the camera. Besides The Wolverine and Logan, Mangold has also directed several other successful features, including the psychological thriller Identity, the Johnny Cash-biopic Walk The Line, and the western remake 3:10 To Yuma. The guy has a very solid and strong career behind him. With his hands on Boba Fett, there’s no telling where he can take it, besides a galaxy far, far away.

It’s unclear if they will bring back Temuera Morrison to portray Boba Fett for the film, who previously played his father Jango in Star Wars: Attack of the Clones. But what do you guys think? Are you excited we’re finally getting a Boba Fett movie? Or do you wish he stayed buried in the stomach of the Sarlacc Pitt? Comment below, let me know.

– David Dunn

SOURCE: The Hollywood Reporter, IGN

Avengers Assemble: Top 10 Marvel Cinematic Universe Movies

If you had told me in 2008 that Iron Man would propel a cinematic franchise that’s made more money and movies than the Star Wars, Batman, and Harry Potter franchises, I would have laughed at you all the way to class. “How could that be?” I would’ve asked. “Marvel doesn’t even own the rights to its most popular character, Spider-Man!” A decade later, I’m eating my words, and I couldn’t be happier for it.

It’s amazing to see how far Marvel has come since then. Avengers: Infinity War is the 19th film in the Marvel Cinematic Universe, and later this year, Ant-Man & The Wasp will be the 20th. That means Marvel has pumped out an average of two films every year since Iron Man’s release. The fact that Marvel has pushed out that many movies is impressive enough on its own. The fact that nearly all of them were as financially and critically successful as they were makes their feats all the more impressive. Before Marvel, Star Wars was the highest-grossing film franchise at $8 billion. The MCU has blown that away with a whopping $15 billion.

To say that Marvel has become successful at the movie business would be a severe understatement. It became successful, stacked billions of billions of dollars on top of it, threw on a cosplay, then break-danced in front of the movie theater like it was Flash Gordon. I would go so far as to say it’s the only considerable force at the box office. Even when you include Star Wars as competition, Walt Disney still owns both of those properties. So who else is there to offer serious cinematic competition at the likes of Disney?

With Avengers: Infinity War releasing past week and quickly on its way to grossing one billion dollars at the box office, it’s worth taking a look back at the Marvel Cinematic Universe’s best. So without further adieu, here are my Top 10 films from the Marvel Cinematic Universe.

– David Dunn

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Star-Lord Confirms ‘Guardians of the Galaxy Vol. 3’ Is Filming Next Year

WARNING: SPOILERS AHEAD FOR AVENGERS: INFINITY WAR.

For those of you still in shock after watching what happened at the end of Avengers: Infinity War, don’t worry. Here’s some news that might pick your spirits up just a little bit.

In a recent Instagram birthday message to co-star Pom Klementieff, Chris Pratt, the actor who plays Peter Quill a.k.a. Star-Lord in the Guardians of the Galaxy movies, confirmed that not only is writer-director James Gunn working on the script for the third Guardians of the Galaxy movie, but that the Guardians will actually begin filming for it next year as well.

For those of you that aren’t confused at reading this, that’s probably because you haven’t watched Avengers: Infinity War yet. With that, this is your last warning.

SPOILERS AHEAD FOR AVENGERS : INFINITY WAR.

At the end of Avengers: Infinity War, Thanos wins against the Avengers, collects all of the Infinity Stones, and uses them to wipe out half of all life in the universe. This includes half of the known superheroes as well, which of course includes the Guardians of the Galaxy. With the exception of Rocket, who remains on Earth with Steve Rogers, Bruce Banner, and Thor, the rest of the Guardians disintegrated thanks to the Infinity Gauntlet, including Groot, Mantis, Drax, and Star-Lord.

Since the Guardians were killed at the end of Avengers: Infinity War, however, how is it that they’re all back for Guardians of the Galaxy Vol. 3? My guess is that their deaths, as well as everyone else’s, will be undone for the sequel Avengers 4. After Thanos wiped out half of the universe in the comic books, Nebula gets ahold of the Infinity Gauntlet and uses the Time Stone to undo everything that Thanos has done up until then. Since the title and premise for Avengers 4 is still being kept heavily under wraps, it’s impossible to know whether the newer movies will follow this storyline or not. Nevertheless, it’s safe to assume it will follow some loose adaptation of the storyline, and that it will lead to the Guardians getting resurrected in time for their third movie.

What do you guys think? Are you excited to see the Guardians come back from the dead, or do you expect the sequel to introduce a new team of Guardians to the Galaxy? Comment below, let me know.

– David Dunn

SOURCE: Sceenrant, MovieWeb

The Academy Awards Ousts Bill Cosby and Roman Polanski

Time’s up for Bill Cosby.

After a lengthy court battle that has dragged on since 2015, 80-year old comedian and actor Bill Cosby was declared guilty on three counts of sexual assault. Shortly after his sentencing, the Academy of Motion Picture Arts and Sciences followed up by expelling Cosby from their membership, citing its standards of conduct for their expulsion.

“The board continues to encourage ethical standards that require members to uphold the Academy’s values of respect for human dignity,” the Academy said in a released statement.

But Cosby was not the only one the Academy expelled from their ranks. Polish filmmaker Roman Polanski was also expelled from the Academy as well, for drugging and raping a 13-year-old girl in the late 70’s. Polanski is most known for directing Rosemary’s Baby, Chinatown, and The Pianist, the last of which won him an Oscar for Best Director in 2003.

Given the Academy’s more recent escapade with media mogul and pig excretion Harvey Weinstein, this marks the second time the Academy has taken action against sexual predators working in the entertainment industry. It’s action that has been long overdue. Cosby was first accused of sexual assault in 1980 when the first incidents took place, then again in 2014 after a resurgence of accusers mounted against him. Polanski was charged for his assault in 1977, but fled the country before he could be sentenced.

It took a long time for the Academy to finally respond to these men’s vicious crimes. Better late than never, I suppose.

– David Dunn

SOURCE: Reuters, CBS News

“AVENGERS: INFINITY WAR” Review (✫✫✫)

SOURCE: Walt Disney Studios Motion Pictures

The beginning of the end.

We live in an age of gargantuan expectations. That’s why we’re able to accept a movie with 30 superheroes fighting in it when six years ago, it felt a bit much to have just six superheroes together on one screen. Well, if Marvel achieved nothing else with Avengers: Infinity War, they achieved the impossible. They made a superhero movie with a larger cast than any of the 18 films that came before it, and they pulled it off magnificently.

A sequel to (*takes deep breath*) Captain America: Civil War, Doctor Strange, Guardians of the Galaxy Vol. 2, Spider-Man: Homecoming, Thor: Ragnarok, and Black Panther, (*breathes again*), Avengers: Infinity War follows the mad titan Thanos (Josh Brolin) on a quest to find the six Infinity Stones, magical gems imbued with supernatural power. The Avengers know the location of a few of the Infinity Stones. The Power Stone, for instance, was stored away on the planet Xandar in the first Guardians of the Galaxy movie, while the Space Stone is housed in the Tesseract, which was on Asgard when it was destroyed in Thor: Ragnarok. The Collector (Benecio Del Toro) has ownership of the Aether, a.k.a. the Reality Stone on Knowhere, while Doctor Strange (Benedict Cumberbatch) and Vision (Paul Bettany) have the Time and Mind Stones respectively. If Thanos finds all six of the Infinity Stones first, he will use them to wipe out half of all life in the universe with a snap of his fingers. Scattered and displaced, the Avengers must team up with the Guardians of the Galaxy to find the Infinity Stones before Thanos does and put a stop to his madness.

The sheer size of Avengers: Infinity War is both its greatest strength and its greatest weakness: a double-edged sword to the Marvel Cinematic Universe. When this franchise started 10 years ago with the release of Iron Man, its world was relatively focused and self-contained, keeping it small with just a handful of names featured in each individual movie. Now, they’ve straight-up exploded into pure comic-book madness. Previous MCU movies typically did not have a billed cast that went significantly beyond 10 actors. Even Captain America: Civil War, the biggest MCU film before Infinity War, was pushing it at a 18-member cast. Infinity War blows that away with 35 actors.

With that large of a cast, there’s plenty of action to show off, and there’s plenty of spotlight to share amongst all of the stars here. Whether Iron Man (Robert Downey Jr.), Spider-Man (Tom Holland), and Doctor Strange are fighting Thanos’ minions in New York, or an elderly Steve Rogers (Chris Evans) is rescuing an injured Vision, or Thor (Chris Hemsworth) is meeting the Guardians of the Galaxy for the first time, there’s plenty of memorable moments to pick out from the film to make you grin from ear-to-ear. It’s almost like a cinematic wheel-of-fortune for the movie theater: spin the wheel, and see what special prize you win at random.

This both works and backfires for the film’s available cast. On one hand, the fact that there’s so many amazing moments to pick from really brings a plethora of joy and thrills into the movie theater, making for some outstanding blockbuster entertainment. But with this large of a cast and this ambitious of a scope, that also brings in a key problem: it’s too easily distracted. Since the movie is basically one overstuffed comic-book Easter Egg lined up one after the other, there’s no real room for anyone to have their individual moment to shine, and as this is the case, our heroes are forced to share the frame with everyone else packed into the screen with them. With the original Avengers, you could pinpoint one key moment where each Avenger outshined the rest, whether Tony was threatening Loki (Tom Hiddleston) in his penthouse, Captain America was issuing out orders to the team, or Hulk was smashing Puny God’s brains in. You could not pinpoint one such moment in Infinity War, because there are no individual moments. Everyone is fighting everyone for everyone, and it’s very easy to get lost with all of the spectacle going on at once.

I did enjoy Josh Brolin quite a bit as Thanos. In a franchise where the villains have consistently been the weaker aspect of these superhero movies, Marvel has finally pushed out not one, but two fantastic villains in the same year: Erik Killmonger in Black Panther and Thanos in Infinity War. They’re very interesting for very similar reasons. One, their performances are on-point, and the actors fully commit themselves to the complexities and absurdities of their roles. Two, they are given very compelling reasons for their villainy, and you sympathize with them not because of their moral compass, but because of their life experiences that drove them to make the decisions that they did.

Killmonger, for instance, wanted to start a race war to compensate for years of suffering the African-American people have had to endure at the hands of the white majority. Thanos, while not race-driven, has an equally motivated reason for seeking universal genocide: he’s trying to save the universe. In one particular scene, he explains his violent reasoning to a hesitant listener, and he makes his position clear. This universe’s space is finite, its resources finite. And its population is growing too big to sustain itself. Comparing it to one memory where he wiped out half of one planet’s population, he pointed out that the children were starving and dying on that planet before he came. Now, their bellies are full and they are healthy and happy. In the perspective of population control and prolonging extinction, Thanos makes the hard decision to cut down on what he sees as the fat to extend life in the universe. His commitment to his mission makes him a very compelling villain to watch, even though you don’t enjoy the cruelty and violence that he brings with him.

I do think some of the material is too disturbing for some younger viewers. I myself even struggled to watch some of the movie’s harsher, more vindictive moments. Still, Avengers: Infinity War is ambitious and daring in its art, even if it is equally devastating in the same sentence. These movies used to represent something more lighthearted about superheroes; a greater ideology to be the bigger, better person and to help other people achieve the same thing. Now it’s about facing harsh conclusions and realities, and I’m not sure if I enjoy it quite as much.

When Thanos set out for his galactic conquest, he did so believing in one thing: that he could save the universe by wiping out half of it. We already know that his crusade is monstrous and horrifying. The scary part is not knowing whether he’s wrong.

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“READY PLAYER ONE” Review (✫✫✫1/2)

SOURCE: Warner Bros. Pictures

Easter Egg: The Movie

Ready Player One is a celebration of entertainment, a pop-culture explosion jam-packed with all of your favorite characters, icons, and memorable moments from your childhood growing up. I couldn’t tell you how many times I grinned ear-to-ear while watching this film, or how many times I jumped up and down in my seat in excitement, or how many times I was overwhelmed from recognizing all of the cameos popping up on the screen at once. This film could have been retitled as Easter Egg: The Movie, because that’s exactly what it is: one giant, gorgeous, deliciously colorful Easter Egg, and man is it fantastic to look at.

Taking place in Columbus, Ohio in 2045, Ready Player One shows us a dystopian future devastated by the effects of climate change and economic inequality. The middle class no longer exists. People live in sheds and old trailer homes instead of houses. The education system is practically non-existent. And no matter where you turn, all signs point to old American life ceasing to exist.

Enter the Oasis, a virtual reality experience where just about anything is possible. The Oasis has become people’s new reality: their place of escape. And whether they’re racing in a re-creation of 1940’s New York City, dancing in an anti-gravity night club, or literally building their own “Minecraft” world, the Oasis is a national treasure that everyone shares together.

One day, the creator of the Oasis James Halliday (Mark Rylance) passes away, but before he does he records a message for all of his video-gaming fans everywhere. He says that he’s hidden an Easter Egg in the Oasis, an object which hands control of the Oasis over to whoever finds it first. Now determined to find the Easter Egg before business CEO and corporate shrill Nolan Sorrento (Ben Mendelsohn), Wade Watts (Tye Sheridan) teams up with his friends to find the Easter Egg and save the Oasis.

The appeal in Ready Player One lies in its nostalgic value; in your ability to discern entertainment icons and characters and get excited at their unexpected appearance. This, of course, seems too simple to be taken seriously. However, Ready Player One is a simple film, and it never asked to be taken seriously. With these rules established, we’re ready to plow ahead and dive head-first into all of the pop-culture fun this movie delivers, and man does it deliver it.

How common are the Easter Eggs in Ready Player One? Very. They are so prominent in the film that they are as integral as the visual effects themselves are. Virtually every scene has at least one throwback to 80’s or 90’s culture. In one of the earliest shots, for instance, Wade can be seen driving around in the Delorean from the Back to the Future franchise. I’m telling you guys, after 28 years with its engine shut off, there’s no greater joy than seeing the Delorean revved up again and tearing the streets up, even if the Delorean and those streets are artificial.

That’s only one Easter Egg among hundreds. King Kong is back from the dead ripping buildings apart, the Iron Giant is reactivated after being shut off for several years, and there’s even a blood-soaked tribute to Stanley Kubrick’s The Shining. My favorite cameo was one where the Chucky Doll was tossed into a crowd like a grenade, and he starts slicing through hoards of computer-generated enemies like a mincemeat grinder. Yes, a Chucky Doll will do that in this movie. It will do a lot of things.

The cameos, the Easter Eggs, the surprise appearances: they’re all so fun and exciting to watch, and it’s a pure joy to just glance at the screen at random moments and go “Oh look, it’s so-and-so! And also what’s-his-name!” But that’s not the core component of the movie. It’s an important one, yes, but what makes Ready Player One so cherishing is how much these characters mean to these kids playing as them. We’ve all been through those moments in our childhood where we grab our toys, trucks, and action figures and spit out silly noises as we scream and pretend like our toys are fighting each other. Ready Player One is the video-game equivalent of that. Yes, these kids and the villains they’re fighting are inhabiting a fictional world, but the love and passion they have for it is not. For them, it’s as real as any action figure, costume, and video-game controller ever could be. The Oasis is not based in reality, no. But it is their reality, and that’s the important part.

In that, Steven Spielberg finds the human part of this story; the part that turns this movie from merely an entertaining experience to an extraordinary one. When Steven Spielberg was filming the underwater scenes for his shark film Jaws, or had E.T. pointing to Elliot’s forehead, or had that magnificent T-Rex let out a loud, dominant roar in Jurassic Park, he didn’t make any of these scenes from the corporate, money-grabbing mindset of Nolan Sorrento. He created these moments like the kids in Ready Player One created theirs, thinking, dreaming, and playing like storytellers in their own worlds. In that, Spielberg speaks to something much more profound than the need to be entertained: he speaks to the much larger questions of creating ourselves.

Yes, Ready Player One’s message is a straightforward one. But then, it was meant to be straightforward. What we are given here is not an opportunity to critique, but an opportunity to place ourselves in the VR mindset of these kids, let loose, and have fun. And for all of the action, visual spectacle, humor, heart, and fun that this movie delivers, Ready Player One has only one flaw, and that is that the Super Mario Bros. didn’t make an appearance.

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“PACIFIC RIM: UPRISING” Review (✫1/2)

SOURCE: Universal Pictures

More like downsizing.

The biggest flaw with the first Pacific Rim was its third act, where its runtime extended so long with so much content packed together that it really could have been cut out and edited into its own separate movie. This flaw, unfortunately, carries over into its sequel Pacific Rim: Uprising, which descends into a classic case of sequelitus with all of its ideas spent. It has a stupid plot, dull characters, boring dialogue, and humor so unfunny that Adam Sandler could have done a better job at writing it. The movie’s one saving grace is its visual effects. Gee, I wonder where else we’ve seen that before?

Taking place 10 years after Raleigh Beckett, Stacker Pentecost, and the other Jaegers closed the Kaiju portal at the end of the first movie, Pacific Rim: Uprising follows Stacker’s son, Jake (John Boyega) living the good life in a post-Kaiju world. He parties, drinks, trades on the black market, swindles dangerous mob bosses, and steals any Jaeger tech that he can find.

Well like clockwork, Jake’s criminal activities leads him into the jail cell, and this time he can’t simply just bail himself out. Now faced with a potential prison sentence, his sister Mako (Rinko Kikuchi) gives him an ultimatum: come back to the Jaeger program and help train the new cadets, or rot in a cell for the next 30 years. Jake slightly prefers military service over prison. Slightly.

The problems with Pacific Rim: Uprising all starts with its writing, which is such a poorly-done retread of the first Pacific Rim that it feels more like fan fiction than it does a faithfully-produced sequel. The writer and director Steven S. DeKnight has had several television credits prior to his film debut in Uprising, including writing episodes for Warner Bros.’ “Smallville” and being the showrunner for series’ including “Spartacus” and “Daredevil”. Trust me, he’s definitively a talented storyteller. Unfortunately, all of his experience is wasted here in his first foray into film, and there is no evidence that any skill or talent exists behind his camera at all.

Case in point: the screenplay. It is essentially the exact same plot as the first Pacific Rim was, point by point. We start with a big, epic Jaeger fight, follow with an underdog hero who doesn’t believe in himself, suddenly recruited into a military operation, bonds with the girl in closest proximity to him at the base, a shocking revelation is made about the alien threat, and our heroes team up to disband of said threat.

That’s it. That’s the whole story in a nutshell, a preposterous copy-and-paste of the first Pacific Rim and adding Uprising at the end of the title. Granted, sequels don’t have to be original in every aspect of their storytelling. Shoot, even the most recent Star Wars movies are almost straight rip-offs from the original trilogy. The difference, however, lies in the extra details the filmmakers put into those movies to further their interest. Pacific Rim: Uprising’s mistake was thinking that the interest lied in its derivative plot, which of course, it doesn’t.

Look at the first Pacific Rim as evidence of this. It has the same plot, yes. Yet it succeeds so much more in being fun and entertaining to its audience. Why? It’s because Guillermo Del Toro knew which details to focus on and why. He knew that the size and scope of the Jaeger/Kaiju fights needed to be reflected in the buildings and environments around these monsters. He knew Charlie Hunnam and Idris Elba needed on-the-spot, quick-witted dialogue to make them more than the average one-dimensional movie heroes. And (most importantly), he understood the movie he was trying to make. He knew he wasn’t trying to make some seriously out-there, psuedo-dimensional experience like Inception or Gravity. He was trying to make the next explosive, Transformers-esque action fest that overjoyed the inner child in him. That was the movie he aimed for, and he succeeded spectacularly in making it.

Compare this to the desperately confused approach behind Pacific Rim: Uprising. It has no idea what it wants to be. It doesn’t know whether it wants to be a serious action movie, a silly Hollywood blockbuster, a complex science-fiction fantasy, or all three at once. All it knows for sure is that it wants to be like the first Pacific Rim, but it doesn’t know how to get there. That’s because the screenplay hasn’t earned the right to compare itself in its storytelling. The sad part is that it knows it too.

Yes, the fight scenes between the Jaegers and the Kaiju are cool. So what? The fight scenes were just as fantastic in the first Pacific Rim, and that was made over five years ago. The music’s electric jams sound fantastic, but again, there’s nothing there that you can’t find in the original already. The only thing to really set this movie apart from its predecessor is John Boyega, who brings such an oafish charm to the movie that he can make something as mundane as eating ice cream seem funny to us.

Even then though, his performance is plagued by the mediocre cast members surrounding him. Scott Eastwood fills out the generic stiff-necked soldier cliché to a “T”, and he demonstrates little personality outside of pure smugness. Newcomer Cailee Spaeny plays the movie’s second underdog, and she overacts so much that she fits better inside of a Disney Channel movie. And Charlie Day? God-awful. His character does such a forced 360 turn from his personality in the first movie that I couldn’t take him seriously or urgently. He felt more like a parody of a mad scientist than an actual mad scientist (and if you didn’t like him in the first movie to begin with, wait until you see him here).

All in all, Pacific Rim: Uprising is a haphazard, unnecessary sequel; one that would have added value to the franchise if it were never made at all. The first Pacific Rim was an epic love-letter to Japanese Anime and monster movies, a rock-em-sock-em creature feature that was loads of fun. Pacific Rim: Uprising is just clueless. At the end of the movie, the big baddie Kaiju monster grows three secondary brains to fight our movie’s heroes. Perhaps it would have helped if Steven DeKnight grew a few extra brains himself.

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